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These sketches are pigment ink, graphite, pen and collage on paper, literally playing on the title “On the Road,” as landscapes of figures on expanses of pavement. Alternately, these solitary figures in a paved and demarcated life ask us whether it is or not a “small world.” The paintings intend to harbor the character of traditional Chinese landscape painting, where there is no discernible horizon line, and where the human figure is often dwarfed in a monochromatic swirl of dots, dashes, and lines.
On the Road Sketches